As Korea has been for many generations, a patriarchal society, one does not encounter too many notable ladies of noble descent. There are a number of common class ladies who were Gisengs that defied their time, but defying the traditional role as a noble lady was difficult. With transmission of Confucianism, a philosophical idea that holds appeal as a pure form, but one that I have hard time liking due to its often misogynistic nature, a life of respected noble ladies in Korea was confined to being a wife and a head of the inner household. Even if some noble ladies were well educated and accomplished through the aid of their fathers, once they were married, their life had to take a back seat to their husband’s.
신사임당 is one lady who defied that, partly with help of her father who chose a husband for her who would let her flourish, although at the end, he also became jealous and did not act as a supportive husband. She was considered an ideal lady by Confucian standards, yet she did defy the custom of being overshadowed by her husband and male-oriented society. Her extremely accomplished poems and paintings still remain to this day.